Sharad Purnima ki wo raat aam raaton jaisi bilkul nahi thi. Poore Vrindavan par ek alaukik aur jadui sangeet ka jadu chhayal hua tha. Aakash mein ek vishal, chamakta hua poora chand (Full Moon) apni sheetal aur chandi jaisi roshni poori dharti par bikhair raha tha. Charo taraf naram badal tair rahe the aur taare aasmaan mein kisi tyohar ki tarah timtima rahe the.

Yamuna ke pavitra paani mein safed kamal ke phool khile hue the, jo chand ki roshni mein motiyon ki tarah chamak rahe the. Isi manmohak mahaul ke beech, Celestial Embrace ka wo adbhut pal aaya jise dekhkar devta bhi aakash se phool barsane lage.

Lord Krishna, jinhone ek behad khoobsurat sone ka mukut pehna tha aur jinke ghunghrale baalon mein vahi pehchan—ek pyara sa mor pankh (Peacock Feather) laga tha, unhone Radha Rani ko behad narm-dili aur prem se apni baahon mein bhar liya. Unka neela divya roop us chaandni raat mein aur bhi manmohak lag raha tha.

Radha ji ne poore samarpan aur vishwas ke saath apna sar Kanha ke seene par tika diya. Unhone ek chamakti hui safed aur sunehri (White and Gold) poshakh pehni thi, jis par motiyon ki barik karigari thi. Unki aankhein band thin aur chehre par ek aisi shanti thi jo is poore brahmand mein aur kahin nahi mil sakti. Jaise hi unhone Kanha ko gale lagaya, lag raha tha ki samay vahin tham gaya ho.

Paani mein tairti lotus ki pankhudiyan aur dono ka ye aseem prem poori srishti ko ek naye rang mein rang raha tha. Ye sirf do premion ka milan nahi tha, balki ye aatma ka parmatma se wo pavitra aur sacha milan tha jise sadiyon tak “Radha Krishna Under the Full Moon” ke roop mein yaad kiya jayega.